Formed in 1991, Charalambides has always and will forever be the constant core duo of Tom and Christina Carter. Though music scenes and genre classifications ceaselessly change, this duo has stayed “wholly-other” dedicated to a “vision of spiritual music (in all its forms) as transformative force.” The sound of Charalambides is beyond unique. Personal and consistent, it moves forward and outwardly in radical shifts and strategies.
Per the duo's Wholly Other website:
"Charalambides formed in Houston in 1991 amid a flock of fearlessly exploratory (and often drug-induced) rock bands, when Tom, Christina, and Kyle Silfer put down their beers and picked up their instruments. Eventually Kyle went home to New York, and Christina & Tom assumed the name Charalambides for what eventually turned into a flood of releases- beginning with 1992's Our Bed is Green on their own Wholly Other label, and continuing with dozens of LPs, CDs, and cassettes on labels such as Siltbreeze, Eclipse, Time-Lag, and kranky."
"Despite occasional stints as a trio (first with guitarist Jason Bill and then with pedal steel guitarist & vocalist Heather Leigh Murray) and flourishing solo projects, Charalambides remains constant as the core duo of Tom & Christina Carter."
Christina currently resides in Austin, Texas while Tom resides in an outer borough of New York City.
"...Musically, through two decades of working together, they've created a world apart. Though they've played with many like-minded artists and floated through a number of "scenes" ... their work feels wholly self-contained, never seeming to refer to anything but itself." - Marc Masters, Pitchfork
"Christina has a beautiful voice, clear and bell-like. I've heard her influence on lots of women in the experimental underground music scene. I never heard anyone quite as vulnerable and as strong. It's kind of magical. I never get tired of listening to it. It's fresh every time I put it on." - Kim Gordon, New York Times
"Charalambides are among the most beautiful and mysterious groups to have emerged from the American desert. ...They have created a glowing template of humanist/mystical improvisation that has kneaded brain muscles from here to Kokomo." - Byron Coley, The Wire